Tagged: ROGER HODGSON PHOTOS

ROGER HODGSON OF SUPERTRAMP PERFORMING LIVE IN SPOKANE ON 4-15-77. PHOTO BY BEN UPHAM. MAGICAL MOMENT PHOTOS.

ROGER HODGSON OF SUPERTRAMP PERFORMING LIVE IN SPOKANE, WASHINGTON. PHOTO ART BY BEN UPHAM.


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SUPERTRAMP PHOTOS BY BEN UPHAM

SUPERTRAMP-
“WARY OF SUCCESS”
BY MARTHA HUME
WINNIPEG FREE PRESS
WINNIPEG, MANITOBA, CANADA
AUGUST 9, 1979

Somewhere outside Washington,D.C. a rented car pulls into a service station. A man with shoulder-length brown hair leans out. “Hey, mate,” he yells to a young attendant, “can you tell us where Supertramp’s playing tonight?” “You going to the show at the Capital Center? Let me see your tickets,” the attendant demands with the annoyance of a man who couldn’t get one for himself.
The request amuses Roger Hodgson and his four passengers, because they are Supertramp, the band whose album,”Breakfast in America”, is No. 1 on every sales chart in the U.S. The failure of the station attendant to recognize them doesn’t bother the band a bit. The five members of Supertramp (three Englishmen, a Scot and an American) have a fever for privacy. Millions know their sound but few know their faces.
“If I could help someone by being a public face — like Jane Fonda trying to use her image to help issues — then I wouldn’t mind it,” says Roger Hodgson, 29, who sings the group’s biggest single hit, “The Logical Song”. “But it would lead to misery if I tried to make myself a star for no reason.” Hodgson’s sentiments are echoed by Supertramp’s co-lead singer Rick Davies, sax player John Anthony Helliwell, bassist Dougie Thomson and drummer Bob C. Benberg. The group has worked together since 1973, but Breakfast in America, their fifth album, is their first major commercial success.
The core of Suprtramp is Hodgson and Rick Davies, who share lead
vocal, songwriting, keyboard and guitar duties. In 1969, Davies founded the band, which took its name from an eccentric 1910 book, The Autobiography of a Super-Tramp. After four years of near Starvation, Hodgson and Davies reorganized Supertramp with the addition of Halliwell, Thomson and Benberg (the band’s one American). Breakfast in America has finally put Supertramp on the musical map. None are more surprised than Hodgson and Davies, two unlikely collaborators.
Roger Hodgson, who sings dreamy, melodic songs in a pleasing falsetto, is a wealthy product of the English public (meaning private) school system and one of the last of the flower children. He travels with his wife, tall, quiet Karuna, and their infant daughter, Heidi, whom Hodgson helped deliver in a trailer outside a concert arena in San Diego. The family are vegetarians, meditators, and believers in things “natural.”
Rick Davies, who sings “Goodbye Stranger”, the band’s latest single smash, is Hodgson’s working-class opposite. A former spot-welder in Britain, Davies prefers street-level songs about class conflict. His wife, Sue, a former employee of A&M, the band’s label, handles the sales of T-shirts and programs. Hodgson’s mysticism and Davies’ cynicism have blended in a keyboard-based romantic rock, in the tradition of Procul Harum.
“We’ve been described as ‘yogurt and beans,’ says Hodgson. “I’m into health food, and he’s into junk food. We don’t communicate on an outward level. It’s an inner thing. Supertramp is five people, but there’s also a core, the interaction between Rick and myself.”
“Roger’s a bit of a freaked-out character who doesn’t know much of the real world,” Davies says indulgently. “But there are certain things we all like. We don’t want to become too flamboyant or punk.”

SUPERTRAMP DISCOGRAPHY:

1970 Supertramp
1971 Indeibly Stamped
1974 Crime of the Century
1975 Crisis? What Crisis?
1977 Even in the Quietest Moments
1979 Breakfast in America
1980 Paris (Live)
1982 Famous Last Words
1985 Brother Where you Bound
1987 free as a Bird
1988 Live 1988
1997 Some things Never Change
1999 It Was the Best of Times (Live)
2001 Is Everybody Listening? (Live)
2002 Slow Motion

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SUPERTRAMP PHOTOS BY BEN UPHAM

ROGER HODGSON OF SUPERTRAMP PERFORMING LIVE IN CONCERT IN SPOKANE, WA. ON APRIL 15, 1977. PHOTO BY BEN UPHAM. MAGICAL MOMENT PHOTOS.

ROGER HODGSON OF SUPERTRAMP IN SPOKANE, WA. PHOTO BY BEN UPHAM.


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SUPERTRAMP PHOTOS BY BEN UPHAM

SUPERTRAMP-
“GROUP’S LATEST ALBUM ECHOES EARLY PROMISE”
BY MICHAEL JENSEN
STAR NEWS
PASEDENA, CALIFORNIA
APRIL 22, 1977

When Supertramp released “Crime of the Century” two-and-a-half years ago the group was earmarked for stardom. It’s unique sound, careful instrumentation, arrangements and production established it as a band that cared about its product.
The group has just completed its latest album, “Even in the Quietest Moments” and, the band is playing the Los Angeles Forum next Thursday night.
Although the material on ‘Quietest Moments’ lacks the originality and drive that “Crime of the Century” and “Crisis, What Crisis?” displayed, it is perhaps the band’s most cohesive work to date. Several songs on the LP show that the band is building on musical concepts.
It is using certain identifiable hooks from previous albums and modifying them into newer material. In a way the latest platter begins where “Crisis . . .” left off …but, there are a few twists.
In an interview with Rick Davies, John Helliwell and Bob Benberg at the A&M recording lot in Hollywood, the three men talked about the new project and what they hoped to accomplish with the album and their music, “You know we are not rich”, John Helliwell said “Everyone thinks that when you are a rock group . . . that everyone in the band is loaded with bucks. That isn’t so … at least in our case.” “We spend so much money on production of the album that we have to sell an incredible amount of albums to get any royalties.” He added, “Unfortunately, I personally feel like the days of work keep getting longer and longer.” Bob Benberg, the only American in the group and a native of Glendale, blurted in. “We like what we are doing. The band is getting along better than it has ever in the past.”
Supertramp’s new album makes it evident that the band is injecting personal experience into their material. Rick Davies wrote the potential single “Lover Boy?” and noted — “I wrote the song because I was inspired by advertisements in men’s magazines telling you how to pick up women. You know, you send away for it and it’s guaranteed not to fail. If you haven’t slept with at least five women in two weeks, you can get your money back. You just can’t stop the lover boy, he’s guaranteed.”
A slight sense of humor exists throughout the album, but it is immersed in the billowing symphonic structures. “I think the band is taking things as they come”, Benberg said. “Nobody is really planning anything definite. We all have our dreams. But it’s a bit difficult to turn your dreams into something material overnight.” “If I had to tell the public one thing”, Helliwell added, “It would be to buy the album. Also, that we would like to see Dale Robertson (of the Carpeteria commercials) do a commercial for us. Imagine him on the tube with that gruff voice of his . . . buy Supertramp.”
Supertramp is destined for great things. It’s unfortunate that this album isn’t as dynamic as previous efforts. Their show, so we hear, is better than ever and should prove to be an exciting evening next Thursday.

SUPERTRAMP DISCOGRAPHY:
1970 Supertramp
1971 Indeibly Stamped
1974 Crime of the Century
1975 Crisis? What Crisis?
1977 Even in the Quietest Moments
1979 Breakfast in America
1980 Paris (Live)
1982 Famous Last Words
1985 Brother Where you Bound
1987 free as a Bird
1988 Live 1988
1997 Some things Never Change
1999 It Was the Best of Times (Live)
2001 Is Everybody Listening? (Live)
2002 Slow Motion

CLICK THE LINK BELOW TO SEE SUPERTRAMP PHOTOS:
SUPERTRAMP PHOTOS BY BEN UPHAM