Tagged: Photos of Bill Nelson

Be Bop Deluxe in Spokane, Wa. on November 19, 1976. Photo by Ben Upham. Magical Moment Photos.

Be Bop Deluxe Rock Out in Spokane, Wa. on 11-19-76. Photo by Ben Upham.


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BE BOP DELUXE FINE ART AMERICA IMAGES BY BEN UPHAM
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BE BOP DELUXE PHOTOS BY BEN UPHAM

Be Bop Deluxe- “Fast Paced Delightful Show”
by Johnny Holmes
The Corpus Christi Times
Corpus Christi, Texas
September 19, 1977

Every time the music world threatens to dissolve itself into nothing more than a smouldering heap of mindless disco, relentless boogie and saccharine ballads, along comes a group like Be Bop Deluxe to stand it on it’s ear. More simply, Be Bop was dee-luxe in its performance last night at the Ritz.
Buddy Miles had been scheduled to open the show but was nowhere to be found, so the chore was accomplished by an impressive young band from San Antonio named Heyoka. Cranking out a couple of good ol’ rock and roll tunes, Heyoka sounded as if they knew what they were doing, but really shined during a triumvirate of original
compositions which must be their theme. The songs, “Restriction,” “Passage” and “Revelation” illustrated the group as a hybrid Black
Sabbath/Pink Floyd with a little Jethro Tull thrown in for goud measure. Like Sabbath, the vocals were always high, sometimes
screechingly so, and the rhythm low, with the keyboards adding an eerie, Floydish feel. And the band sported not one, but two flutists to
transport it beyond the realm of the ordinary. Like all new bands, Heyoka needs some work, cultivation and refinement, but there is remarkable potential, and one would hope to hear from Heyoka in the future.
True to form, Be Bop brainchild and lead guitarist Bill Nelson appeared onstage, nattily dressed in red V-neck top and matching pants, and exchanged pleasantries with the crowd. The lights went down, the volume went up and we were “Live In The Air Age.”
Be Bop Deluxe isn’t exactly your basic rock and roll band, the main difference being Nelson’s immense talent and mastery of the guitar. Not that the rest of the group is shabby — but Nelson could stand head and shoulders above most any rhythm section — and this became quite obvious as Be Bop proceeded into its show.
Deluxe’s pacing and presentation was delightful, speeding and slowing, never dwelling too long on any one tempo or style. And they kept the crowd in the palm of their hand throughout the 90-minute set. But it was Nelson’s wizardry with the guitar that caused the amazement.
From time to time, Nelson sounds like someone you know, a Jeff Beck or a Jimmy Page, but mostly he sounds like himself, a soaring, floating, streaking master of his art. Song after song, Nelson demonstrated the styles and techniques which establish him as perhaps one of the top five guitarists in the world today.
The band marched through “Fair Exchange,” the idea of which sums up Nelson’s feelings toward his music as well as his love life — instead of the body, he’s after the brain, and his heady, thoughtful performance reflected this superbly all evening long.
Nelson even played the blues, opening an extended version of “Ships In The Night” movement that could have been played by Johnny
Winter if you’d had your eyes closed before completing the regular version. Nelson’s handpicked showcase group especially shined here
particularly keyboardist Andrew Clarke the newest full-time Be Bopper, whose classy jazz-like contributions do nothing but enhance the already masterful music.
Be Bop closed out the evening with exerpts from side two of their latest studio album “Modern Music,” which details a ‘West Side Story’ of sorts. “Modern Music,” “Forbidden Lovers and “Down On Terminal Street” comprised the suite which left patrons on their feet.
The main thrust to the ending of the “Modern Music” sequence is a short but sweet song called “Make The Music Magic.” That’s exactly what Be Bop Deluxe did last night.

BE-BOP DELUXE DISCOGRAPHY:
1974 Axe Victim
1975 Futurama
1976 Sunburst Finish
1976 Modern Music
1977 Live in the Air Age
1978 Drastic Plastic
1978 The Best of and the Rest of
1981 Singles A’s and B’s
1987 Raiding the Divine Archive
1994 Radioland- BBC Radio One Live in Concert
1997 Air Age Anthology
1998 Tramcar to Tomorrow
2002 Tremulous Antennae
2002 Postcards from the Future
2011 Futurist Manifesto

CLICK THE LINKS BELOW TO SEE BE BOP DELUXE PHOTOS:
BE BOP DELUXE FINE ART AMERICA IMAGES BY BEN UPHAM
and
BE BOP DELUXE PHOTOS BY BEN UPHAM

Be Bop Deluxe performing in Spokane, Wa. on 11-19-76.

BE BOP DELUXE PHOTO by BEN UPHAM

CLICK LINKS BELOW TO SEE MORE BE BOP DELUXE PHOTOS:
BE BOP DELUXE FINE ART AMERICA IMAGES BY BEN UPHAM
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BE-BOP DELUXE: “Latest Claimant to British Rock”
by John Rockwell
New York Times 3-17-76

NEW YORK – Every month, or Is it week, seems to bring a new rock band from
Britain, eager to catch a few leftover crumbs from the Anglophilia of the IWO’s.
Most fail completely; others latch onto an FM cult success; a very few, unpredictably, make It big like Elton John (if he can be counted a British act any more), Led Zeppelin, and Bad Company.
The latest claimant, currently truddling about the country as the opening act on
various bills, is called Be-Bop Deluxe. The Band’s first New York date keeps getting
postponed; current reports have it sometime in the third week of April. It’s worth waiting for if this quartet’s live performances match its records, it could be something very special indeed.

The band Is built around Bill Nelson, who comes from Yorkshire, is 27 years old and
writes the songs, sings them, plays all the guitar parts and adds periodic harmonica and percussion.
Nelson’s first album was a privately produced venture in 1971 called “Northern
Dream.” In many ways, it’s fairly amateurish, except for Nelson’s own efforts,
but the first Be-Bop Deluxe album, “Axe Victim,” Is a vast improvement.
Both these disks are to be found here in import shops. But the next two, “Futurama” and “Sunburst Finish”, are available domestically, and “Sunburst Finish” is the first to offer the band’s current
personnel, together about a year , has just been released.
The lyrics for all these albums are a little precocious, full of rather self-conscious poeticizing with a science-fantasy overlay. They’re’ carefully considered though, and perhaps one warms to them. Nelson himself said a couple of days ago that his words inspire his music: “I write the lyrics first,” he explained. “The music is a mood related to a story idea. A particular picture of a general feeling.”
FOR THIS LISTENER, however, Nelson’s music and his guitar playing lift
Be-Bop Deluxe out of the ordinary. The music sounds something like the febrile eclecticism of Roxy Music and Queen, and Nelson admits the kinship. “But once you get down to the actual approach,” he adds, “I think we’re pretty much out on a limb of our own. We’re using a similar language, but what we’re saying is slightly different.”

BE BOP DELUXE DISCOGRAPHY:
1974 Axe Victim
1975 Futurama
1976 Sunburst Finish
1976 Modern Music
1977 Live in the Air Age
1978 Drastic Plastic
1978 The Best of and the Rest of
1981 Singles A’s and B’s
1987 Raiding the Divine Archive
1994 Radioland- BBC Radio One Live in Concert
1997 Air Age Anthology
1998 Tramcar to Tomorrow
2002 Tremulous Antennae
2002 Postcards from the Future
2011 Futurist Manifesto (Box Set)

CLICK ON THE LINKS BELOW TO SEE BE BOP DELUXE PHOTOS AND ART:
BE BOP DELUXE FINE ART AMERICA IMAGES BY BEN UPHAM
and
BE BOP DELUXE PHOTOS BY BEN UPHAM