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GRATEFUL DEAD DISCOGRAPHY:
1967 The Grateful Dead
1968 Anthem of the Sun
1969 Aoxomoxoa
1969 Live dead
1970 Workingman’s Dead
1970 American Beauty
1971 Grateful Dead (Skull & Roses)
1972 Europe ’72 (Live)
1973 History of the Grateful Dead (Bear’s Choice)
1973 Wake of the Flood
1974 Grateful Dead from the Mars Hotel
1975 Blues for Allah
1976 Steal your Face (Live)
1977 Terrapin Station
1978 Shakedown Street
1980 Go to Heaven
1981 Reckoning (Acoustic Live)
1981 Dead Set (Electric Live)
1987 In the Dark
1989 Dylan & the Dead
1989 Built to Last
1990 Without a Net (Live)
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JERRY GARCIA BAND DISCOGRAPHY:
1971 Hooteroll? (w/ Howard Wales)
1972 Garcia
1973 Live at Keystone (w/ Merl Saunders)
1974 Compliments
1976 Reflections
1978 Cats Under the Stars
1982 Run for the Roses
1988 Almost Acoustic (Live)
1991 Jerry Garcia Band (Live)
1991 Garcia Grisman
1993 Not For Kids Only (w/ Grisman)
1996 Shady Grove (w/ Grisman)
1997 How Sweet it is (Live)
1998 So What (w/ Grisman)
2001 Dont Let Go (Live)
2001 Shining Star (Live)
2004 After Midnight (Live 1980)
2005 Garcia Plays Dylan (Live)
2009 Let it Rock (Live 1975)
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BOB WEIR BAND DISCOGRAPHY:
1972 Ace
1976 Kingfish
1977 Live & Kickin’ (Kingfish)
1978 Heaven Help the Fool
1981 Bobby & the Midnights
1984 Where the Beat meets the Street
1998 Weir & Wasserman Live
2000 Evening Moods (Ratdog)
2001 Live at Roseland (Ratdog)
2004 Weir Here (compilation)
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RATDOG-
“BRINGS NEW LIFE TO DEAD SONGS”
BY MARK BIALCZAK
THE POST STANDARD
SYRACUSE, NEW YORK
MARCH 27, 1998

As a mainstay of the Deadhead favorite get-together, The Further Festival, during the past two summers, the band Ratdog was granted a 60-mmute set each evening. So things will be radically different when guitarist Bob Weir and bass player Rob Wasserman lead their band into the Landmark Theater Monday night. The headliner outfit gets more than two hours to show off its stuff after A&M Records opener Sixteen Horsepower bares its hillbilly howl and stark, dark heart.
But the Ratdog set list will not be twice as long. Spend your bread to get in, and you’ll get to enjoy Ratdog’s jams. “This band features some of the best improvisers,” Wasserman says during a recent phone conversation from Austin, Texas, where Ratdog is on the first week of this late winter-early spring jag. “It’s not any problem stretching out with this group,” Wasserman says. “I see some tunes going on for half an hour, if we don’t have any time constraints. There’s such a great level of improvisations.”
Weir is the longtime guitarist and songwriter for The Grateful Dead. Wasserman is considered one of the finest bass players, upright and electric, in the world Their collaboration started early this decade, a side project for Weir to fill in the down times when the Dead wasn’t touring. As a duo, Weir and Wasserman showed off their sharp acoustic stalls to happily dancing crowds at the state fair’s court in 1991 and 1992.
After Grateful Dead leader Jerry Garcia died in 1995, Weir turned to Wasserman for a new permanent musical foundation. They enlisted San Francisco Bay area drummer king Jay Lane and harp player Matthew Kelly, a co-founder of the band Kingfish. For that first Further Festival summer, Ratdog’s special guest was bluesman Johnny Johnson “So that first year, Ratdog was more or less playing the blues,” Wasserman says. Johnson did not return to the second year of Further Festivals. Instead, the band brought on keyboardist Jeff Chimenti and saxophonist Dave Ellis.
“And Bobby (Weir) decided he wanted to sing some of the Dead songs because he missed them,” Wasserman says. For instance, a Ratdog set in June 1997 included “Hell in a Bucket,” “Sugar Magnolia,” “Playin’ in the Band” and “Touch of Gray.” At the Landmark, even more Dead favorites are likely to make the list. That’s bound to make Deadheads happy. And it doesn’t bother Wasserman a bit. He thinks that no matter what band played the song first, Ratdog can stamp it with its own identity.

BOB WEIR BAND DISCOGRAPHY:
1972 Ace
1976 Kingfish
1977 Live & Kickin’ (Kingfish)
1978 Heaven Help the Fool
1981 Bobby & the Midnights
1984 Where the Beat meets the Street
1998 Weir & Wasserman Live
2000 Evening Moods (Ratdog)
2001 Live at Roseland (Ratdog)
2004 Weir Here (compilation)

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THE GRATEFUL DEAD-
“CLOCK TWISTS BACKWARD AS DEADHEADS BOOGIE”
BY KIM CROMPTON
SPOKANE DAILY CHRONICLE
SPOKANE, WASHINGTON
JUNE 16, 1980

The “Dead” were resurrected at the Coliseum Saturday night, but they didn’t seem nearly as grateful as the audience which came to life with them.
The Grateful Dead, one of the old­est and most unique rock and roll groups of the past two decades, treated a relatively small but enthu­siastic crowd to three full hours of enjoyable music.
The diverse group of fans who came to see the group were almost as interesting, as the band itself. ­”Flower Children,” “Hippies,” mem­bers of outlaw motorcycle gangs and other societal outcasts of the Vietnam era were there, mingling freely and comfortably with others from that generation who have since conformed to more contemporary norms.
The Coliseum lights came on dur­ing a 45-minute intermission, re­vealing a scene similar to those at Woodstock, Blue Mountain and doz­ens of other outdoor rock concerts of that period in time.
One young woman with long blond hair moved slowly through the shifting bodies on the Coliseum floor, smelling a long-stemmed ­flower while holding aloft a sign which read, “I need a ride to L.A.” Wearing a long flowered skirt, she resembled many of the other wom­en from that era who were attracted to Spokane to hear their favorite group Saturday night.
Similarly, the men were scantily clad, for the most part, wearing no shirts and shoes, and many with beards and hair that reached to the middle of their backs. The crowd, overall, contrasted sharply with the group of teen-agers and young adults which gathers for most Spokane rock concerts. Members of this audience were older, ap­pearing more content on enjoying themselves than on impressing each other.
An example was the group of fans which normally stands at the rear of the Coliseum floor. Concerts featuring rock groups which appeal to a younger clientele generally cause that area of the floor to turn into a traffic zone with adolescents milling continually back and forth looking for someone they know or someone they would like to know.
The scene was different Saturday night, however, as rockers from the ’60s and late ’70s utilized that area as a gigantic dance floor. Grateful Dead fans, overcome with musical rapture, danced all evening and most of them were dancing alone.
The band’s music gave them ample reason to boogie, as The Dead were right on target with their inter­mingling of nostalgic numbers with newer songs. Lead guitarist Jerry Garcia was excellent throughout the night and was complimented by the back-up fingerings of rhythm gui­tarist Bob Weir. They thrilled the crowd with their performances on songs like “Alabama Getaway” and “It Looks Like Rain” and with their vocals on slower songs like “Ship of
Fools.”
Drummers Billy Kreutzmann and Mickey Hart also were good and awed the crowd with a five-minute duet involving a large drum set-up at the rear of the stage. The entire crowd standing on the Coliseum floor bounced to the rhythm of most of the band’s songs, cheered loudly after each one and eventually called the group back for a single encore song, “One More Saturday Night”.
If the band were to be criticized it would be for its lack of response to the crowd. Members of the group refused to acknowledge the crowd’s applause, took long breaks between each song and acted as though they were rehearsing inside an empty hall. The fans, known as “Deadheads” didn’t seem to mind, however, as they appeared caught up in their own nostalgic rock revival.

Grateful Dead Setlist from the Spokane Coliseum show on June 14, 1980:
Set I-
Alabama Getaway
Promised Land
Friend of the Devil
El Paso
Brown Eyed Women
Me & My Uncle
Big River
Far From Me
Big Railroad Blues
Looks Like Rain
Don’t Ease Me In

Set II-
Feel Like a Stranger
Ship of Fools
Estimated Prophet
Eyes of the World
Drums/Space
Lost Sailor
Saint of Circumstance
Stella Blue
Goin’ Down the Road Feelin’ Bad
Good Lovin’
Encore: One More Saturday Night

GRATEFUL DEAD DISCOGRAPHY:
1967 The Grateful Dead
1968 Anthem of the Sun
1969 Aoxomoxoa
1969 Live dead
1970 Workingman’s Dead
1970 American Beauty
1971 Grateful Dead (Skull & Roses)
1972 Europe ’72 (Live)
1973 History of the Grateful Dead (Bear’s Choice)
1973 Wake of the Flood
1974 Grateful Dead from the Mars Hotel
1975 Blues for Allah
1976 Steal your Face (Live)
1977 Terrapin Station
1978 Shakedown Street
1980 Go to Heaven
1981 Reckoning (Acoustic Live)
1981 Dead Set (Electric Live)
1987 In the Dark
1989 Dylan & the Dead
1989 Built to Last
1990 Without a Net (Live)

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JERRY GARCIA-
“3rd SOLO LP”
BY KATHIE STASICA & GEORGE MANGRUM
THE DAILY REVIEW
HAYWARD, CALIFORNIA
FEBRUARY 6, 1976

The “San Francisco Sound” has been synonymous with the name Jerry Garcia since the early 60′s when he began putting out music with the Grateful Dead. Today the name has a new meaning — Jerry has worked himself into a music legend in the Bay Area.
Jerry is 33 now, but he still eats, sleeps and works music 24 hours a day. If he isn’t playing, practicing, writing or recording with the Grateful Dead, he is out doing solo gigs with the different bands he’s put together. Even on days when he has a concert, Jerry will practice for hours ahead of time.
Jerry has begun this year with his third solo album, “Reflections” on which he has eight strong cuts, including an old tune, “I’ll Take A Melody.”
I’m very pleased with it (the new album),” Jerry said during a rehearsal break at Keystone Berkeley. “I’ve been working on it since August. I didn’t just sit down and record it, I’ve been working on it off and on. Some of the later cuts we began recording as recently as December.” Four of the songs are co-written by Jerry and Robert Hunter. The rest are by people like Allen Toussaint and Hank Ballard.
“I pretty much like all the songs on this album equally. There were no cuts that I looked back on as mistakes to have put on the album as I have on some. I like the ones on this album. They are there because of my interest in them.”
The Grateful Dead will also be having a new album coming out this summer, which is a sound track from a new movie about them. “The movie will really be about the five-night concert we did at Winterland, the concert and the people,” he said. “It won’t be just a filmed concert, although the music will feature largely. “I’ve been living with the memory of those concerts during the past year. I still get off on them.”
And of course, there is the always asked question about the reunion of the Grateful Dead. Jerry cleared that up quick. “We will be rehearsing in about a month and we will probably continue to rehearse for a couple of months and then go out and play.
Besides creating a lot of good albums, what else has Jerry Garcia been into lately?
“Well, I’ve been listening to a lot of piano. I’ve been getting more into keyboards, harmony, chord voicing and arrangements. The kinds of things I am interested in are modern instruments, modern approaches. By modern I mean 20th Century.
What happened to the famous $200,000 sound system that the Grateful Dead bought?
“Well, the most part of it is in mothballs. Some parts of it are out helping other bands like Kingfish. “We have plans, some time or other, to build ourselves a place to perform that would be like our home base. I think the direction we would like to go toward would be to install some kind of permanent sound system that could use the place as a building to perform, and as a lab to new kinds of ideas. “It would not be large but it would be large enough to have concerts in and to present ourselves in. It would be somewhere between one and three thousand capacity.”

GRATEFUL DEAD DISCOGRAPHY:

1967 The Grateful Dead
1968 Anthem of the Sun
1969 Aoxomoxoa
1969 Live dead
1970 Workingman’s Dead
1970 American Beauty
1971 Grateful Dead (Skull & Roses)
1972 Europe ’72 (Live)
1973 History of the Grateful Dead (Bear’s Choice)
1973 Wake of the Flood
1974 Grateful Dead from the Mars Hotel
1975 Blues for Allah
1976 Steal your Face (Live)
1977 Terrapin Station
1978 Shakedown Street
1980 Go to Heaven
1981 Reckoning (Acoustic Live)
1981 Dead Set (Electric Live)
1987 In the Dark
1989 Dylan & the Dead
1989 Built to Last
1990 Without a Net (Live)

JERRY GARCIA BAND DISCOGRAPHY:

1971 Hooteroll? (w/ Howard Wales)
1972 Garcia
1973 Live at Keystone (w/ Merl Saunders)
1974 Compliments
1976 Reflections
1978 Cats Under the Stars
1982 Run for the Roses
1988 Almost Acoustic (Live)
1991 Jerry Garcia Band (Live)
1991 Garcia Grisman
1993 Not For Kids Only (w/ Grisman)
1996 Shady Grove (w/ Grisman)
1997 How Sweet it is (Live)
1998 So What (w/ Grisman)
2001 Dont Let Go (Live)
2001 Shining Star (Live)
2004 After Midnight (Live 1980)
2005 Garcia Plays Dylan (Live)
2009 Let it Rock (Live 1975)

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JERRY GARCIA BAND-
“STAYS HONEST”
BY JOHN WISNIEWSKI
THE POST STANDARD
SYRACUSE, NEW YORK
FEBRUARY 20, 1980

Singer/songwriter/guitarist Jerry Garcia of the Grateful Dead, the most
enduring and best-loved of the San Francisco bands that came into prominence during the psychedelic music era of the late-1960s, is currently touring the, East Coast with a band of friends to raise money for the screen rights to novelist Kurt Vonnegut Jr.’s “The Sirens of Titan.”
It was evident from the Garcia Band’s standing-room-only performance Tuesday night at the nearly 3,000 seat Syracuse Area Landmark Theatre that Garcia has no intentions of making the tour a simply take-the-money-and-run proposition. No matter what the motives for the tour are, they have not taken away from the integrity of the music.
This edition of the Jerry Garcia Band includes drummer Johnny D’Fronesca, keyboards player Ozzie Ahlers and bassist John Kahn — as fine a non-Dead lineup as Garcia has ever assembled. The four piece band exhibited very appealing jazz tendencies that made for some refreshing re-workings of old Garcia/Dead favorites.
“Sugaree,” the night’s opener, for instance, was an impressive showcase for Ahlers’ knockout electric-piano work and Garcia’s trademark guitar lines – lines that build into beautifully slithery and elastic melodies.
Without a doubt, the musicianship was at the forefront. While Garcia is an able vocalist, he has never been a great one. He will probably always be remembered more for his playing than his singing.
The night was full of moments of inspired improvisation by Ahlers and Garcia, who seemed at their best when playing off of each other.
Kahn’s bass work was in the same solid and-economically tasteful style for which he has become noted. And D’Fronesca’s drums left nothing to complain about. It was a night of competent and spirited musicianship that created a lot of good feeling — something for which, it seems, Garcia can always be counted on.

JERRY GARCIA BAND DISCOGRAPHY:
1971 Hooteroll? (w/ Howard Wales)
1972 Garcia
1973 Live at Keystone (w/ Merl Saunders)
1974 Compliments
1976 Reflections
1978 Cats Under the Stars
1982 Run for the Roses
1988 Almost Acoustic (Live)
1991 Jerry Garcia Band (Live)
1991 Garcia Grisman
1993 Not For Kids Only (w/ Grisman)
1996 Shady Grove (w/ Grisman)
1997 How Sweet it is (Live)
1998 So What (w/ Grisman)
2001 Dont Let Go (Live)
2001 Shining Star (Live)
2004 After Midnight (Live 1980)
2005 Garcia Plays Dylan (Live)
2009 Let it Rock (Live 1975)

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GRATEFUL DEAD-
“DESCRIBE NEW ALBUM”
BY JOHN WISNIEWSKI
THE POST STANDARD
SYRACUSE, NEW YORK
OCTOBER 8, 1977

By now nearly everyone has heard or read about the events of Sept. 3 at Englishtown Raceway in Old Bridge, N J., where some 110,000 persons turned out for an 11-hour, outdoor concert by the Grateful Dead, the Marshall Tucker Band and the New Riders of the Purple Sage.
Rumor had it that the Heirs Angels and other motorcycle gangs were planning to attend the concert, the largest ever in New Jersey.
Rolling Stone reported, “The Angels, however, didn’t show, and the violence was kept to a minimum. Only two persons were arrested, and area hospitals treated about 30 persons for overdoses.”
Promoter of the concert was John Seher, who promoted the ill-fated Great American Music Fair at the State Fairgrounds here Sept. 2, 1975.
The Englishtown concert was carried on radio in the New Jersey area, as was an interview with Grateful Dead members Bob Weir, Mickey Hart and Bill Kreutzmann. Weir and Hart did most of the talking.
Of “Terrapin Station,” the Dead’s latest album, Weir said, “Basically, it’s the same old us dressed up in a whole new way by our producer (Keith Olsen), who’s really good at it.” “Terrapin Station” marks the first time the group has used an outside producer. “I think it was pretty well successful” Weir offered. He added the album was a good first attempt at feeling our way out as regards our relationship (with Olsen) there — if that’s to continue.”
Weir went on to say, “Sometimes with our attempts at production there are a lot of rough edges, and sometimes those rough edges have gotten in the way of the music. Keith Olsen is capable enough to capture the music without ‘overslickifying’ or whatever. Weir called Olsen “a dynamite producer. He’s much better than I’ll ever be at producing.”
Hart said of “Terrapin Station’ “It was a major effort on our part, as far as discipline goes, because we’re really not exactly what you’d call a disciplined band, you know. It was sort cf a challenge to do it. It’s a major work; it’s a larger work.
There are a few songs within ‘Terrapin Station’ to make a larger vehicle from which we could go to other places. Commenting on the origin of “Terrapin Station,” Hart said, “It’s a thing that was slowly evolved out of all of us. These little bits and ‘n’ pieces came up to the surface, showed their ugly heads and whatever.” The remark prompted Weir to retort, “I rather like it.” Hart then backtracked, saying, “No, I thought it was real nice myself. I think ugly is beautiful.”
Weir was asked about “The Grateful Dead Movie.” “I don’t know much about it”, he said. “l like the movie, Cinematographically, I think, it’s a success. The band is playing better now than we were back then, so the music is a little irksome for me. The music notwithstanding, the
movie is, I think, a good movie. I think it’ll be around for awhile”.
Asked what contemporary bands he enjoys, Weir answered, “I haven’t listened.. I’ve been too busy to listen to the radio in the last little while. I intend to take, I guess, the month of “November or something, maybe October, and listen to the radio, relax and all that kind of stuff.
But I haven’t had an opportunity to do that, so I really wouldn’t know where to start”.
At the mention of punk rock, Hart said, “If it moves me, you know, I’ll let it move me, I’m not really ashamed to be moved. Nothing has come up to my door, knocked on it and opened it up. So, I really haven’t been moved, but I’m ready. I’m certainly ready”.
On the same topic, Weir said, “I’m going to start listening to all that stuff and see if there’s anything that I like, ’cause I know that I’ve missed a lot. I’ve kind of always been this way though. But then I don’t listen to much rock ‘n’ roll’ and never have.. I like other kinds of music, almost any other kind of music really”.
When the talk turned to Kingfish (a band that served as a sidetrip for Weir), Weir said, ”I’m not entirely sure what’s happening with Kingfish. I didn’t have enough time to really devote to playing with them and it was grossly unfair. And they just went off without me. And that’s best because otherwise I would be burning the candle at half-a-dozen ends. I heard they were in England last.”
Weir said he was working on a solo album. “I hope to wrap it up, I guess., next week — or hopefully next week — for release, I guess, in mid-October. “Garcia’s (Jerry) making a record, too,” Weir added. “I don’t know anything about his record and my record is not done, so there’s not all that much to talk about.”
Hart was asked if the Diga Rhythm Band (a sidetrip for him) was “re-emerging.” “It is,” Hart replied. “It certainly is. I hope to have it working in about another month.”
Meanwhile, Warner Bros; Records has just issued “What a Long Strange Trip It’s Been: The Best of the Grateful Dead,” a two-LP set consisting of “New, New Minglewood Blues,” “Cosmic Charlie,”
‘Truckin’,” “Black Peter,” ‘.’Born Cross-eyed,” “Ripple”,”Doin’ That Rag,” “Dark Star,” “High Time,” “New Speedway Boogie,” “St. Stephen”, “Jack Straw”,”Me & My Uncle”, “Tennessee Jed”, “Cumberland Blues”, “Playin’ in the Band”, “Brown Eyed Women” and “Ramblin’ Rose”.

GRATEFUL DEAD DISCOGRAPHY:
1967 The Grateful Dead
1968 Anthem of the Sun
1969 Aoxomoxoa
1969 Live dead
1970 Workingman’s Dead
1970 American Beauty
1971 Grateful Dead (Skull & Roses)
1972 Europe ’72 (Live)
1973 History of the Grateful Dead (Bear’s Choice)
1973 Wake of the Flood
1974 Grateful Dead from the Mars Hotel
1975 Blues for Allah
1976 Steal your Face (Live)
1977 Terrapin Station
1978 Shakedown Street
1980 Go to Heaven
1981 Reckoning (Acoustic Live)
1981 Dead Set (Electric Live)
1987 In the Dark
1989 Dylan & the Dead
1989 Built to Last
1990 Without a Net (Live)

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